Music Review (Malayalam): Thrissivaperoor Kliptham
Music Composer: Bijibal
Maangappoolu is the typical Bijibal tune with old world charm and an endearing Anupallavi makes up for the heard before soundscape of the track. Though the arrangements are nothing out of this world, the simple, likeable pleasant sound makes this one engaging listen. Bijibal tried to take the different route for Kada thala Kola with the upbeat mix of synth and native percussion elements especially udukkai, however, the tune sounds pale when compared to the backgrounds. Sannidanandan spruces up the song with his energetic vocals despite sounds processed intermittently. Venne Vennakal Penne also sounds contrast to the sounds one can associate with the composer, however, Sayanora Phillip's vocals and the second interlude makes this one worthy listen. Oruthari Aasha's discordant backgrounds aside, the standalone classical tune is blissful enough to clasp the listeners.Vivek Moozhikkulam's confident vocal prowess is apparent in this short track and one wishes that Bijibal could have made this one full-length track. Pushpavathy who hails from Thrissur croons the fun filled Thrissooru and Bijibal's splendid backgrounds sounds is the highlight of the track apart from the top notch singing. Thaikkudam bridge's vocalist Vipinlal croons Kaantha and Bijibal employed Chenda melam exquisitely but the same cannot be said about the synth elements and also the track is short to make an impact.
Verdict: Bijibal produces a different album for the debutant RatheishKumar but the album falls short of awe factor despite engaging sounds throughout the tracks.
My Rating: 7.5/10
Pick of the Album: Oruthari Aasha, Maangappoolu, Thrissooru
P.S You can listen to the songs in Saavn.
Music Composer: Bijibal
Maangappoolu is the typical Bijibal tune with old world charm and an endearing Anupallavi makes up for the heard before soundscape of the track. Though the arrangements are nothing out of this world, the simple, likeable pleasant sound makes this one engaging listen. Bijibal tried to take the different route for Kada thala Kola with the upbeat mix of synth and native percussion elements especially udukkai, however, the tune sounds pale when compared to the backgrounds. Sannidanandan spruces up the song with his energetic vocals despite sounds processed intermittently. Venne Vennakal Penne also sounds contrast to the sounds one can associate with the composer, however, Sayanora Phillip's vocals and the second interlude makes this one worthy listen. Oruthari Aasha's discordant backgrounds aside, the standalone classical tune is blissful enough to clasp the listeners.Vivek Moozhikkulam's confident vocal prowess is apparent in this short track and one wishes that Bijibal could have made this one full-length track. Pushpavathy who hails from Thrissur croons the fun filled Thrissooru and Bijibal's splendid backgrounds sounds is the highlight of the track apart from the top notch singing. Thaikkudam bridge's vocalist Vipinlal croons Kaantha and Bijibal employed Chenda melam exquisitely but the same cannot be said about the synth elements and also the track is short to make an impact.
Verdict: Bijibal produces a different album for the debutant RatheishKumar but the album falls short of awe factor despite engaging sounds throughout the tracks.
My Rating: 7.5/10
Pick of the Album: Oruthari Aasha, Maangappoolu, Thrissooru
P.S You can listen to the songs in Saavn.
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