Monday, July 23, 2018

Music Review (Telugu) : Srinivasa Kalyanam

Music Review (Telugu) : Srinivasa Kalyanam
Music Composer: Mickey J Meyer


Kalyana Vaibhogam has Mickey J Meyer's stamp all over it and the song is filled with serene blissful semi classical tinge associated with it. The track is in the lines of the composer's hit songs in Seethama Vaakitlo and many other songs. The tune is a cakewalk for the veteran S P Balasubramaniam and the singer aces the classical song in a splendid manner. The climax version of the song is essentially the same one with different lyrics indicating the protagonist joins hands with his lover. Ekkada Nuvvunte is a typical Telugu with a load of DSP flavour to it and the song mainly rides on the energetic rendition of Dhanunjay. Ithadena benefits largely from the saccharine filled vocals of Shreya Goshal and Mickey J Meyer ably churn out the pleasant ear-friendly tune although the track has very little to offer in terms of novelty and catchy factor. Modalaudham is easily the catchy song in the album and the peppy outlook of the tune along with Sunitha and Anurag Kulkarni's fabulous vocals makes this one an enjoyable track till it lasts. Mickey J Meyer churned out another lively jazz track, Something Something ga loaded with the buoyant arrangements and superbly sung by Anurag Kulkarni and Shravana Bharghavi. Though the dhol mix and the percussion-laden second interlude is a minor blip in an otherwise enjoyable track from Mickey J Meyer. Vinavamma Toorupu Chukka is another trademark Mickey's song which reminds me of the composer's score in Brahmotsavam. Nevertheless, the mesmerising folk tune is a lovely listen in Sunitha's vocals.

Verdict:
Mickey J Meyer delivers another enjoyable set of melodies for Vegesna Satish after Sathamanam Bhavati. Though consistently confined towards the composer's predictable soundscape, the tracks are enjoyable.

My Rating: 7.5/10

Pick of the album: Kalyanam Vaibhogam, Vinavamma Toorupu Chukka, Modalaudham


P.S You can listen to the songs in Saavn.

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