Music Review (Kannada): Bell Bottom

Music Review (Kannada): Bell Bottom
Music Composer: Ajaneesh Loknath

Yethake Bogasu Thumba has an uncanny Ajaneesh Loknath flavour and the folk-tinged tune is aced by Vijay Prakash while Ajannesh props up the song with the arrangement. Composer employed Bapuji's clarinet brilliantly throughout the song and the second interlude with the synth and Tabla mix is a stunner. Ajaneesh unveils another winner with the retro club song and akin to the period, composer churns out an enjoyable retro sounds throughout the song backed by Sangeetha Ravindranath's boombox vocals. Ajaneesh Loknath brings back obsessive soundscape to the folk track Aadhi Jyothi Banyo with ample support from Chennai Violins strings section and the reverberating chorus portions. Kadabagere Muniraju's rustic vocals blend perfectly with the song. Audio trailer features the dazzling mix of amusing dialogues and the thrilling background score which reminds us of the composer's Ulidavaru Kandante.

Verdict: Ajaneesh Loknath opens his 2019 account with the stunner soundtrack despite the album duration is under 15 minutes.

My Rating: 8/10

Pick of the Album: Yethake BogasuThumba, Aadhi Jyothi Banyo

P.S You can listen to the songs in JioSaavn

Music Review (Telugu): Kirrak Party

Music Review (Telugu): Kirrak Party
Music Composer: Ajaneesh Loknath


Dum Dare's Happy days vibe is difficult to snub off, However Ajaneesh Loknath's punchy percussions and Vanamali's easily relatable lyrics make this one a nostalgic listen from the composer. There is a beautiful Sax solo in the second interlude and the consistent claps in the background accompanied by buoyant guitar riffs make this one easily works in Haricharan's cakewalk rendition. The song's farewell version is also an equally engrossing listen from the composer devoid of any punchy percussion elements in it. Thirboki Jeevana in Kannada version which was released as the single music video for the movie, skyrocketed the buzz around the movie. Shashank Sheshagiri croons the song replacing the composer itself in the original. The song is absolutely enjoyable in Telugu version also especially with the retro funky swag mix in the prelude and the top-notch chorus which works like a charm.

Belageddu comes as Guruvaram and Vijay Prakash ace the lovely beautiful tune effortlessly and the songs gain immensely from the chorus once again. The underlying latino percussions and the violin solos are definitely the highlight of this melody. The Ala la le part which went viral in Kannada is sure to stay top among the Telugu audiences also.Kannada composer's Thoongu Manchadalli is reused as Meera's Theme by Ajaneesh and the serene composition with minimal instruments in the background makes this one a delight to listen which is supported by Sameera Bharadwaj's earnest rendition.Neechamaina is sure to bring back memories of Premam along with the visuals, However, Ajaneesh's composition is so fresh and the haunting string score is enough to make the listeners fall in love with this song. Vasishta N and Simha easily sail through the song with their grungy rendition.

Last Bench is another short lovely song which is sure to connect easily to the college gangs, the percussions, harmonium and the guitar riffs is an absolute fun to listen. Daang Dakka hook along with Shashank Sheshagiri, Chintan Vikas and Varun's vocals makes this one works Ajaneesh Loknath tweaked the original song in Neelo Ninnu and gave the prelude more the classical tinge replacing the more punchy version in Kannada. The original versions work much better and coherent compared to this version. However, Shreya Ghoshal makes this one easy to buy and the first interlude with strings and drums is an absolute stunner from the composer.The Original version's best song Kaagadada Doniyalli comes as Pranamantha crooned by Kaala Bhairava and the song is a gem from the composer. The background arrangements are lovely with the strings sections, trumpet and the chorus along with the lead singer's vocals evocating the pain of the protagonist effectually.

Verdict: Ajaneesh Loknath debuts as a composer in Tollywood with the remake of his best commercial album till date and the tracks easily fit in Telugu. One wishes that the talented young composer could have added original songs to the album instead of going for complete reuse of the original tunes.

My Rating:8.5/10

Pick of the Album:  Pranamantha, Guruvaram, Sir Bewarse, Neelo Ninnu

P.S You can listen to the songs in Youtube.

Music Review(Tamil): Kurangu Bommai

Music Review(Tamil): Kurangu Bommai
Music Composer: Ajaneesh Loknath

Paathum Paakama's waltzy tune and cheerful accordion dominated arrangements mixed with assorted string sections easily work to its favour while Shankar Mahadevan's impeccable singing adds charm to the song. There is a fine guitar rhythm in the background which blends smoothly with the string sections in the foreground while Francis's lyrics are adequate. Annamaare Ayyamaare takes its cue from the composer's recent smashing Belegaadu in Kirik Party, though the song sounds mediocre, the tune in the Charanam portions is intriguing enough to clasp the listeners. VM Mahalingam aces the tune with right swag and adequate support from Premji Amaran.

Beachu Kaathu's tune is a fiasco despite an engaging and high octane brass led arrangements in the background while Anthony Daasan sounds as usual and unable to prop up the average song in the soundtrack.CR Bobby is one of my personal favourite singer who often sings for Ajaneesh Loknath and she croons a short effective Unna Naan Rasika and the only grouse being that song is less than two-minute duration. Kalaangadhe Kanne is another short track delivered by the composer itself and it's too short to create any impact on the listeners.

Verdict: Though nothing extraordinary debut by the famous Sandalwood composer, the tracks are adequately engaging and refreshing. Eagerly waiting for his Ulidavaru Kandante's Tamil Remake Richie.

My Rating:7.5/10\

Pick of the Album: Paathum Paakama, Annamaare Ayyamaare

Music Review (Kannada): Kirik Party

Music Review (Kannada): Kirik Party
Music Composer: Ajaneesh Loknath

Thirboki Jeevana's highlight is buoyant brass sections and hummable whistle while composer aces the singing part and Ajaneesh Loknath's keys and violins in the background complements well the quirkiness of the song. Apart from dhamdhare hook, Katheyondu Helide has little catchy factor tune wise, however the lyrics evokes nostalgic college days and Ajaneesh's arrangements especially interludes work to the song's favour. In Neenire Saniha, Shreya Goshal rocks with her punchy vocals while Ajaneesh layered the song with immensely engaging interludes especially the first one with the tinge of classical shade to it. Belageddu rides mainly on the another proficient singer in the industry, Vijay Prakash and Ajaneesh backgrounds are adequately engaging till it lasts. Last Bench party, short functional kuthu with the right mix of quirky touches in Harmonium and lively singing accompanied by amusing lyrics. Hey How are you is the tribute to Hamsalekha and Ajaneesh brilliantly recreated the 90's music soundscape while BJ and Indu Nagraj aces the singing part effectually.

Verdict: Though not exquisite as Ulidavaru Kandante, Kirik Party's soundscape and lyrics is lovely nostalgic trip.

My Rating: 7/10

Pick of the Album: Neenire Saniha, Thirboki Jeevana, Hey how are you

Music Review (Kannada): Sundaranga Jaana

Music Review (Kannada): Sundaranga Jaana
Music Composer: Ajaneesh Loknath

Kalkondu bitte's breezy guitar laden prelude is followed by thumping high octane Haricharan in never heard vocal tone while Ajaneesh throws some enjoyable easily accesible sound cues. Overall simple melody comes off lively due to Haricharan's vocals and tidy synth dominated arrangements. Ee Santhelu Siguva rides on the mellifluous vocals of Shreya Goshal and she sounds splendid as always while the composer segues classical cues in the interludes stands apart in this enjoyable melody. The underlying string sections in the background complements the song particularly well. Santosh Venky delivers adequate support to the female singer. Fly Fly's familiar Jazz/ Rock and roll tune aside, Shashank Seshagiri and Lavanya's buoyant vocals make this peppy song easily accessible. The composer's jubilant usage of horn is an undeniable highlight. Particularly loved the sound cues toward the end of the song. Nandana sounds bland and although the song rides on the catchy factor in the tune, Vijay Prakash aces the typical tune particularly well. Jilka fame Indhu Nagaraj's processed vocals is bit turn off, however the improvisations within the confined soundscape is the likeable one from the singer.

Verdict:  Short functional soundtrack with lilting melodies from one of the promising composer in Kannada industry

My Rating: 7.5/10

Pick of the Album: Ee Santhelu Siguva, Kalkondu bitte, Fly Fly

P.S You can listen to the songs in Saavn.

Music Review (Kannada): Sipaayi

Music Review (Kannada): Sipaayi
Music Composer: Ajaneesh Loknath

Muddu Pori sung by Ajaneesh Loknath works in parts especially title hook and interludes with the tinge of middle eastern touch and humming in the first and second interludes respectively. However as the song as whole, the instant catchy factor is missing. Nee Nadiyaagi, pleasant listen backed by wonderful violin and string sections throughout the song. Ajaneesh Loknath and Nanditha sails through this peppy melody wonderfully. Overall, easily accessible listen in the album. Nanna Kanasina rides on the mesmerising vocals of Chinmayi (though she sounds totally different) while Ajaneesh ups the ante with soothing arrangements with flute, string pieces and keys. Kannalle meetingu where Ajaneesh pitches his Andhra styled kuthu which fails to elevate from the mediocrity level even Shashank and CR Bobby's energetic vocals unable to salvage this pedestrian tune. Yaara Haneyali, hardrock tune with gloomy vibe attached to it which is evident by the flute piece and Udith Haritas grungy vocals.

Verdict: Ajaneesh continues to be promising composer to look out for in the Kannada music industry. Though Sipaayi is few notches below the composer's previous outing Ishtakamya, composer shines with engaging set of songs.

My rating:7.5/10

Pick of the Album: Nanna Kanasina, Yaara Haneyali, Nee Nadiyaagi 

You can listen to the songs in Youtube.

Music Review (Kannada) : Ishtakamya

Music Review (Kannada) : Ishtakamya
Music Composer: Ajaneesh Loknath

Nee Nangoskara, dulcet melody with ear-pleasing arrangements dominated by guitar and strings especially loved the guitar riffs in the first interlude. Shreya Goshal and composer itself croons the song in a brilliant manner while Shreya Goshal's captivates with Dum Dum hook, enticing touch by the composer. In Song's female version, composer kept arrangements and the tune intact while Shreya is fabulous with her rendition as always. Naa Ninage rides mainly on the impeccable arresting rendition by Chintan while Ajaneesh's string section rules the background throughout the song. Naa Ninage's another version sung by Mukthiyar falls a tad behind when compared to Chintan's version. Thangali's pleasant melody is elevated by Shreya Goshal's sweet rendition while Ajaneesh's neat orchestration with flute, tabla and Sax works wonderfully to the song's favour. Overall another fabulous melody from the composer. Payanadalli is another wonderfully composed song in the soundtrack where composer's alluring string portions in the background throughout the song is bolstered by Vijay Prakash's flawless vocals as expected. Chintheavadu, short track with sing along'ish tune, however Nagathalli's vocals didn't work much.

Verdict: After techno-laden Akira, Ajaneesh delivers fluffy easily accessible enjoyable melodies for Ishtakamya.

My rating: 8/10

Pick of the Album: Nee Nangoskara, Thangali, Payanadalli

P.S You can listen to the soundtrack in Saavn.

Music Review (Kannada): Akira

Music Review (Kannada): Akira
Music Composer: Ajaneesh Loknath

Hey Huduguru yella borders on the Ajaneesh Loknath's Gatiya Illidu from Ulidavaru Kandante, However, composer's vocals and sweeping euphonious string sections accompanied by percussion base make this song enjoyable till it lasts. Composer did a fine job behind the mic also. Kanna Sannayindele's techno sound starts off well but the tune wanders in the mid-way and turns out to be an average song in the album. However surprisingly Puneeth Rajkumar sounds fabulous compared to his earlier songs and fantastic hook makes this one listenable till it lasts. Nam Arealiondina rides mainly on the VijayPrakash's effectual rendition and the pedestrian tune didn't elevate the level of the song. Ajaneesh's arrangements also tread on the strictly functional level only. Ajaneesh delivers full-fledged raucous kuthu in Godu Godu Bandhavne Nodu with adequate support and energy from Naveen Sajju. Although the tune of this kuthu rides on the familiar soundscape, foot tapping rhythm makes this passable listen till it lasts. Yethakond Hogu Ma another techno sound laden track comes off lively only on the vocals of Vijay Prakash and husky CR Bobby's vocals. Akira's title track too has nothing extraordinary to offer, simple technon laden soundtrack which falls flat without making any impact and need visuals to prod this song.Ajaneesh scores in the final track of the album Aliside Usiragide where composer's stupendous use of violin and mild intermittent tabla base works in its favour. Vijay Raghavendra's lends his support really well with his vocals.

Verdict: Ajaneesh Loknath's full-fledged commercial entertainer album works partially and lags behind the eclectic diverse score in Ulidavaru Kandante.

My rating: 7.25/10

Pick of the Album: Hey Huduguru yella, Kanna Sannayindele, Aliside Usiragide 

You can listen to the songs in Saavn.