Friday, September 14, 2018

Music Review (Hindi): Manmarziyaan

Music Review (Hindi): Manmarziyaan
Music Composer: Amit Trivedi 



Amit Trivedi brings back his Udta Punjab vibes in Manmarziyaan where traditional Punjabi sounds mixed modern techno sounds which are sprinkled all throughout this 1 hour long soundtrack. F for Fyaar sung by one of the movie's lead Vicky Kaushal and the modern Punjabi track is incomplete without the rap and it's fulfilled by Sikander Kahlon. Though the rap portions are the pedestrian affair, Amit Trivedi's synth sounds on the background of groovy tune gives the album a good start. Amit Trivedi brings out his best in Daryaa, which starts with the soothing prelude and the flute portions are heavenly. The tracks turn into an anthemic soft rock with oh-oh chorus reaching crescendo gives way to the splendid first interlude. The brilliant song ends with the 1 minute long flute version of the Pallavi. However the song's unplugged version by Deveshi Sahgal pales in comparison with Shahid Mallya's vocals. Though, Amit did a brilliant work with respect to the guitar-laden arrangements especially the lovely first interlude. 

Composer churned out another winner, this time with the duet melody, Grey Waala Shade crooned by delightful Harshdeep Kaur and Jazim Sharma. The simple melody and the catchy hook by Ishq nazariya and Shelle's lyrics about the new age love makes this one an instant chartbuster in the album. Dhyaan Chaand is another funky Punjabi dance track where the free-flowing lyrics of Shellee along with Amit Trivedi's likable tune makes this one a listenable track till it lasts. Harshdeep Kaur and Jazim Sharma joins hands again for another beautiful folk melody and the Esraj bits are vintage Amit Trivedi which makes me to replay some of the composer's hits from Kai Po Che and Guddu Rangeela. The way Harshdeep sings Naache is lovable and makes me to hit the replay button. Sheele lyrics about the feeling of love where he makes everyone do a dance of love from Alexander to cities of Jalandhar and Amritsar. Amit Trivedi brings in Jyoti Nooran and gives her the dark melancholy Hallaa with the tinge of Sufi touch in the tune while completely the background is revamped with the punchy synth sounds. Jyoti Nooran aces the singing as usual where Shelle brings out the complex emotions of love vividly with the hard-hitting lyrics.  

Sachhi Mohabbat takes me instantly to Composer's Sooiyaan, the tender folksy tune and the esraj combination which Amit aces it like a pro. The Shehnai in the first interlude accompanied by Jonita Gandhi's vocals makes this one another instant chartbuster in the album.  Jaisi Teri Warzi starts off with the heartfelt rendition by Harshdeep Kaur backed by minimal arrangements and turns into the punchy Punjabi background with the entry of Bhanu Pratap Singh. However, the melody along with the singer's rendition makes this one works. Bijlee Giregi is a headbanging trance which brings out the female leads fiery character and I wish that the song could have been crooned by some female singer instead of band of male singers.  

Kundali is much more enthralling despite with the trance background and the amusing factor is mostly due to Shelle's superb lyrics and the tinge of retro sounds sprinkled generously. Jala di is the usual Punjabi track with techno twist but the song hardly works because of the jaded tune and the arrangements. Fyaar Pe Duniya also falls on the same category as Jala di despite Alamgir Khan's superlative singing. Amit Trivedi ends the soundtrack with the short enriching trance track Sherni and the haunting background works like charm.

Verdict: Anurag Kashyap brings out Amit Trivedi from slump and extract the best work from the talented composer and the 14 track album broadly traces out the best of Amit Trivedi from the manic Udta Punjab to soulful Kai Po che.

My Rating: 9/10

Pick of the Album: Grey Waala Shade, Chonch Ladhiyaan, Daryaa, Sachhi Mohabbat, Halla

P.S You can listen to the songs in Youtube.


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